Beijing Film Festival focuses on Alfonso Cuarón’s ＂Rome＂ to determine the introduction.

1905 movie network news With the grand opening of the 9th Beijing International Film Festival, Alfonso Cuarón, as one of the three filmmakers focused by the "Focus" unit of the film festival, will show two of his works at the film festival. Alfonso Cuarón, who won two Oscars and the Golden Globe Award for Best Director in the United States, is undoubtedly a successful foreign director in Hollywood, bearing the pinnacle of his endless homesickness, and is determined to introduce to the mainland.

Alfonso Cuarón used "Rome" to remember the past honor and set off expectations.

There is no doubt that the two works shown at the Beijing International Film Festival are Alfonso Cuarón’s representative works. Sons of Man and, which are both sci-fi themes, contain Alfonso Cuarón’s thoughts on the future and science, while Rome is the director’s memory of the past. Alfonso Cuarón, who is used to doing a lot of study and research before shooting, was more concerned with inner excavation when preparing Rome. He once said: "This film is to cooperate with my past and face my past directly, which makes me have to explore more private private areas. There are 90% scenes in the film, which have long been invisible in my memory. More directly, in fact, this film is also a process of reshaping self and reshaping collective memories. "

Alfonso Cuarón was born in Mexico City, and he has been in Hollywood for many years. He returned to his hometown of Mexico for filming this time, and reached the peak of his career with "Rome". Up to now, Rome has won 120 awards and nominations, including the Golden Lion Award at the 75th Venice International Film Festival, the best director, the best cinematography and the best foreign language film at the 91st Oscar, as well as many heavy awards such as the british independent film awards, the New York Film Critics Association Award and the Golden Globe Award in the United States. The honorary Rome has also set off the expectations of many film critics and mainland fans.

The picture is simple and magnificent, and the feeling is pleasing to the eye. An epic film praising women.

Alfonso Cuarón, who is always full of all kinds of metaphors in the camera, brings this trait to the extreme in Rome. Rome, which uses black-and-white images and natural lighting effects, can bring the audience a simple but magnificent impression, such as a slowly opening picture scroll. In Alfonso Cuarón’s seemingly restrained but affectionate camera language, this film brings the audience an epic film praising women.

The film tells the story of Cleo, a young maid, who works for the Sophia family who has been separated from her husband for a long time. Cleo and Sophia, two women of different classes, are hurt and betrayed by the other half almost at the same time. In Mexico, which was in turmoil in the 1970s, they seemed to be weak, and faced the hardships of life with tenacity and courage. The whole film is full of strong feminist colors.